2026 has been a pretty good year for us as a band. We've been able to play some shows, make some scratch, and meet new bands and fans. We are fortunate to have these experiences especially with the state of music right now.
Overall, we played 7 shows in 2026. We started off the year in January with the Road To Pointfest. We always love playing these shows even though its an uphill battle for us to wind up on a Pontfest stage. Its great networking, helps us make a few bucks, and we get to play at legendary Pops! When Trevor May & the Nomads took the stage we knew we had no chance of winning but man those guys were good!
Next gig was in March at a physical media shop in STL called Media Cavern. We were tucked away in a corner amidst a respectable collection of DVDs and old televisions. It was a bit surreal with all the televisions playing things ranging from near-pornographic anime to children's programming. A projector displayed movies on the ceiling above the band and we came up with the idea to play V For Vendetta during our set. Some kids broke out Magic The Gathering cards and played on a rack of CDs. One of them managed to spill their beer on the CDs and the game was pretty much over at that point.
We were asked to support a show at Red Flag with Tantric and we of course jumped at that opportunity. The show was on a Wednesday in April so the turnout was paltry but it was awesome seeing them live and meeting Hugo Ferreira. It was an interesting perspective into how you hear these bands on the radio when you are younger and idolize them only to see them play decades later to 20 people on a Wednesday night. Just makes you think.
Then in June we hopped on a bill with Divine Sorrow at the newly re-opened Fubar Lounge. The show was alright and most of the people were there for Divine Sorrow as they bring a decent crowd with them. We met some new friends and got a lot of compliments. The new venue was pretty cool even though it is a bit cramped. Sound guy was a stand in so it wasnt great but "good enough" to get us through the set. There were some little kiddos running around and we catered to one boy who was possibly Neurodivergent. We gave him some free stuff like drumsticks and a shirt and he was super appreciative. Made the trip worth it in the end.
July saw us at Pops again supporting a touring act called Versus Me. There were 6 friggin bands on that bill so we only got like a 25 minute set. We were rifled through like an assembly line. Still fun to play that stage and meet new people. Versus Me put on a solid show even though a lot of it was backing track and production antics. Our stage sound was not as good as it usually was. Pops has some newer management and people running sound/lights which makes us miss Chris and the old crew.
We doubled down in July and went back to Fubar with Everfelt. We played decently and again got some solid compliments but it was a bit of a shit show overall. There was misinformation on when bands were supposed to start which lead to us going on an hour later than we expected. Many of our friends and family who were going to come out ended up declining due to how late we were going on. The sound guy was an asshole and didn't give bands any soundchecks. He said just start playing and he will adjust on the fly but that turned into the mix coming through the stage monitors sounding like dogshit. Bands would ask him to make adjustments but he sat in the booth vaping and playing on his phone, doing jack all about it. At the end of the night there was confusion on the bands payout and we had to step up and go talk to Bob the manager to get it squared away. Since all but two bands already left (an asshole move for a band not sticking around for all the acts by the way...) we split it between us. Definitely one of our least favorite shows.
September saw our last show of the year at a venue we always love playing at called the Conservatory in Alton IL. We joined up with old friends Birds of Squalor and a few others. There was some confusion on new venue policies which the singer of BOS reported back to us. Apparently this new policy requires the acts to pay $200 up front when booking so that the sound guy can get paid. Bunch of bullshit really. After some discussions it was ironed out and we were "grandfathered in". We didnt have to pay the $200 but we all agreed that we would not be going back to the Conservatory if that is how they are going to do business. The show was good and Dracula Johnson, well one of their members, did a one man show that involved singing interesting songs over programmed beats and shit. Kind of hard to describe but it was both jarring and creatively interesting. We actually made a bit of cash at that show and it made some good memories.
After experiencing such frustrations with on stage monitors and being at the mercy of the sound guy, we decided to invest in an in ear monitor system. We got it built and are currently practicing with it in hopes it will help us sound better and more professional. We can run a click track in our ears and that opens us up to levereaging backing tracks and other fun stuff. We also agreed to take the rest of the year off from playing live shows and will focus on writing some new material and getting a few songs recorded. We have three new songs on the burners so we hope to have something ready by January 9th which will be our next show at Red Flag.